{"id":241,"date":"2023-07-11T10:16:00","date_gmt":"2023-07-11T10:16:00","guid":{"rendered":"https:\/\/emilgasparec.cz\/blog\/?p=241"},"modified":"2023-05-27T06:55:08","modified_gmt":"2023-05-27T06:55:08","slug":"supraland-je-skvely-jen-prvni-hodinu-a-stejne-stoji-za-clanek","status":"publish","type":"post","link":"https:\/\/emilgasparec.cz\/blog\/game-design\/supraland-je-skvely-jen-prvni-hodinu-a-stejne-stoji-za-clanek\/","title":{"rendered":"Supraland je skv\u011bl\u00fd jen prvn\u00ed hodinu A STEJN\u011a STOJ\u00cd ZA \u010cL\u00c1NEK!!"},"content":{"rendered":"\n

Pokud jste z podobn\u00e9ho t\u011bsta jako j\u00e1, v\u00e1\u0161 \u00fapln\u011b prvn\u00ed dojem ze hry nemohl b\u00fdt dobr\u00fd.
Menu a UI vypadaj\u00ed jako sta\u017een\u00e9 z generick\u00e9ho \u201cMobile Casual UI Pack vol. 1\u201d co\u017e je vizu\u00e1l, kter\u00fd mimo na\u0161e \u0161matl\u00e1tka prost\u011b nevypad\u00e1 p\u0159ijateln\u011b.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

To, \u017ee v\u0161echny postavy pou\u017e\u00edvaj\u00ed ten stejn\u00fd model tak\u00e9 p\u0159id\u00e1 na lacinosti.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

V\u0161echny tyhle neduhy ale hra obrac\u00ed ve sv\u016fj prosp\u011bch. V\u00fdvoj\u00e1\u0159i n\u00e1m v podstat\u011b \u0159\u00edkaj\u00ed: \u201cVyprdli jsme se na prezentaci, vyprdli jsme se na b\u011b\u017en\u00e9 produk\u010dn\u00ed hodnoty a tak jsme n\u00e1\u0161 \u010das a pen\u00edze narvali do designu a gameplaye.\u201d<\/em>

Sv\u011bt je humorn\u00fd a d\u00edky sv\u00e9 premise lehce ospravedl\u0148uje celou svoji \u201cnep\u0159irozenou\u201d existenci.
Toto je sv\u011bt poskl\u00e1dan\u00fd klukem na p\u00edskovi\u0161ti. Nic nemus\u00ed d\u00e1vat smysl a ve sv\u011bt\u011b nikdo doopravdy ne\u017eije.
D\u00edky tomu nen\u00ed d\u016fle\u017eit\u00e9, aby prostor d\u00e1val jak\u00fdkoliv smysl nebo se dr\u017eel ur\u010dit\u00fdch pravidel, co\u017e dob\u0159e podtrh\u00e1v\u00e1 zv\u011bdavost a exploraci.<\/p>\n\n\n\n

Hned v naprost\u00e9m \u00favodu naraz\u00edte na trubku se \u0161lehaj\u00edc\u00edmi plameny.V ten sam\u00fd okam\u017eik tak\u00e9 uvid\u00edte oz\u00e1\u0159enou cestu vedouc\u00ed k jej\u00edmu uz\u00e1v\u011bru.
Kdy\u017e ale nebudete sp\u011bchat, mo\u017en\u00e1 si tak\u00e9 v\u0161imnete, \u017ee uvnit\u0159 trubky je \u017e\u00e1rovka a cesta vedouc\u00ed do tajn\u00e9 m\u00edstnosti!<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n

Ten hlavn\u00ed d\u016fvod, pro\u010d jsem se rozhodl o h\u0159e napsat ale nesouvis\u00ed s jej\u00edmi klady a z\u00e1pory. Co bych r\u00e1d popsal je v\u00fdvoj, kter\u00fdm si ta hra projde v t\u011bch n\u011bkolika \u00favodn\u00edch hodin\u00e1ch, kter\u00e9 jsme s n\u00ed str\u00e1vil. Jak se b\u011bhem t\u00e9 doby jej\u00ed siln\u00e9 str\u00e1nky t\u00e9m\u011b\u0159 kompletn\u011b vytrat\u00ed a jak\u00e1 designov\u00e1 rozhodnut\u00ed k tomu vedly. <\/p>\n\n\n\n\n\n\n\n

1. Puzzlov\u00fd open world<\/h2>\n\n\n\n

Prvn\u00ed sekce ukazuje nejsiln\u011bj\u0161\u00ed str\u00e1nky hry. Nep\u0159\u00e1tele ve h\u0159e sice jsou, ale nejsou tak z\u00e1\u017eivn\u00e9, jako explorace.
T\u00e9m\u011b\u0159 ka\u017ed\u00fd objekt kolem v\u00e1s je sou\u010d\u00e1st\u00ed n\u011bjak\u00e9ho puzzlu \u010di cesty. Puzzly se v podstat\u011b p\u0159ekr\u00fdvaj\u00ed, v jak t\u011bsn\u00e9 bl\u00edzkosti jsou. P\u0159esto hra nep\u016fsob\u00ed zmate\u010dn\u011b.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n


Velice rychle z\u00edsk\u00e1te prvn\u00ed schopnosti. Dvojskok, trojskok, vy\u010darov\u00e1n\u00ed kouzeln\u00e9 kostky. Progress je velice svi\u017en\u00fd. \u017d\u00e1dn\u00e9 maxim\u00e1ln\u00ed t\u011b\u017een\u00ed z ka\u017ed\u00e9 mechaniky deseti podobn\u00fdmi variacemi jedn\u00e9ho puzzlu, ne\u017e v\u00e1s hra p\u0159ipust\u00ed k dal\u0161\u00ed hra\u010dce. A ka\u017ed\u00e1 z t\u011bchto mechanik v\u00e1s p\u0159ipou\u0161t\u00ed k dal\u0161\u00edm puzzl\u016fm a vchod\u016fm, kolem kter\u00fdch jste do t\u00e9 doby jen b\u011bhali.<\/p>\n\n\n\n

  • \"\"
    Vy\u010darovan\u00e1 kostka pou\u017eita k zaseknut\u00ed dve\u0159\u00ed<\/figcaption><\/figure><\/li>
  • \"\"
    z\u00e1\u0159e vy\u010darovan\u00e9 kostky n\u00e1m pom\u016f\u017ee vid\u011bt ve tm\u011b.<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n

    <\/p>\n\n\n\n

    \"\"<\/figure>\n\n\n\n

    Prost\u011b skvost.<\/p>\n\n\n\n

    2. Extern\u00ed puzzly<\/h2>\n\n\n\n

    V druh\u00e9 \u010d\u00e1sti se povaha puzzl\u016f v\u00fdrazn\u011b prom\u011bn\u00ed. Ty rychl\u00e9 a jasn\u00e9 situace, kter\u00e9 se \u0159e\u0161ily p\u0159\u00edm\u00fdm pou\u017eit\u00edm na\u0161ich schopnost\u00ed (ala zaseknut\u00ed dve\u0159\u00ed vykouzlenou kostkou) za\u010dne ub\u00fdvat a nahrad\u00ed je puzzly s extern\u00edmi komponenty.<\/p>\n\n\n\n

    P\u0159\u00edklad<\/p>\n\n\n\n

    • Postavi\u010dka se pot\u0159ebuje dostat do kostela, ale necht\u011bj\u00ed ji dovnit\u0159 pustit, proto\u017ee nen\u00ed \u201cspiritu\u00e1ln\u011b \u010dist\u00e1\u201d.<\/li>
    • Hr\u00e1\u010d mus\u00ed v omezen\u00e9m prostoru naj\u00edt krou\u017eek.<\/li>
    • Krou\u017eek obarvit na zlatou za pou\u017eit\u00ed obrovsk\u00e9ho p\u0159ebarvova\u010de.<\/li>
    • A potom mus\u00edte tento zlatav\u00fd krou\u017eek dr\u017eet nad hlavou doty\u010dn\u00e9ho, aby si uvnit\u0159 kostela mysleli, \u017ee je svat\u00fd.<\/li><\/ul>\n\n\n\n
      \"\"<\/figure>\n\n\n\n
      \"\"<\/figure>\n\n\n\n

      \u0158e\u0161en\u00ed probl\u00e9mu nen\u00ed ve v\u00e1s. Probl\u00e9m m\u00e1 jeden extern\u00ed akt\u00e9r mezi druh\u00fdm a \u0159e\u0161en\u00ed tak\u00e9 spo\u010d\u00edv\u00e1 v kombinaci extern\u00edch element\u016f, jako je krou\u017eek, p\u0159ebarvova\u010d a na\u010dasov\u00e1n\u00ed.<\/p>\n\n\n\n

      Takov\u00fd progress nen\u00ed neobvykl\u00fd. A stejn\u011b tak nen\u00ed nic \u0161patn\u00e9ho na podobn\u011b funguj\u00edc\u00edch puzzlech. Inside, nebo Ministry of Broadcast, na kter\u00e9m jsem pracoval jsou z v\u011bt\u0161iny poskl\u00e1d\u00e1ny t\u00edmto zp\u016fsobem. Vybavenost hlavn\u00ed postavy je extr\u00e9mn\u011b omezen\u00e1 (chodit, tahat bedny) a tak si hra dopom\u00e1h\u00e1 extern\u011b. V Inside by to byli zombie-lidi a jejich ovl\u00e1d\u00e1n\u00ed, \u201cku\u0159\u00e1tka\u201d atd. Hr\u00e1\u010d mus\u00ed identifikovat, o co ve sc\u00e9n\u011b jde, jak sc\u00e9nu m\u016f\u017ee ovlivnit a u\u010dinit tak.<\/p>\n\n\n\n

      I kdy\u017e to nen\u00ed chybou, n\u00e1m to m\u016f\u017ee lecco prozradit. Se st\u00e1vaj\u00edc\u00edmi prvky u\u017e nebylo co dal\u0161\u00edho vymyslet a tak m\u00edsto p\u0159id\u00e1n\u00ed nov\u00e9 mechaniky na hr\u00e1\u010dov\u011b stran\u011b se p\u0159iklonili k p\u0159id\u00e1n\u00ed v\u011bc\u00ed extern\u00edch.<\/p>\n\n\n\n

      3. Komplexnost nar\u016fst\u00e1<\/h2>\n\n\n\n

      Ve t\u0159et\u00ed \u010d\u00e1sti m\u00e9 zku\u0161enosti za\u010dne hra opravdu hodn\u011b tuhnout.<\/p>\n\n\n\n

      Ka\u017ed\u00e1 hra vy\u017eaduje gradaci. Hr\u00e1\u010de neuspokoj\u00ed ani stejn\u00e1 n\u00e1ro\u010dnost a u\u017e v\u016fbec ne ni\u017e\u0161\u00ed.
      Zvy\u0161ovat n\u00e1ro\u010dnost puzzl\u016f je ale nep\u0159\u00edjemn\u00fd o\u0159\u00ed\u0161ek.<\/p>\n\n\n\n

      Aby byl puzzle t\u011b\u017e\u0161\u00ed, mus\u00ed \u010dasto nar\u016fst v po\u010dtu krok\u016f pot\u0159ebn\u00fdch pro jeho spln\u011bn\u00ed.
      To nevyhnuteln\u011b vede k del\u0161\u00edmu pobytu v jedn\u00e9 lokaci bez mo\u017enosti progressu. A tak\u00e9 to znamen\u00e1, \u017ee se zvy\u0161uje \u0161ance z\u00e1seku.<\/p>\n\n\n\n

      A hr\u00e1\u010d zaseknut\u00fd v puzzlu je hr\u00e1\u010d, co hru opou\u0161t\u00ed.<\/p>\n\n\n\n

      Proto v\u011bt\u0161\u00ed hry maj\u00ed puzzly jen velice primitivn\u00ed a pokud nab\u00edzej\u00ed n\u00e1ro\u010dn\u011bj\u0161\u00ed v\u00fdzvy, zav\u00edraj\u00ed za sebou jen voliteln\u00fd obsah. Pokud nejde o puzzle hru, hra by pro svoje vlastn\u00ed blaho a blaho hr\u00e1\u010de nem\u011bla blokovat progress t\u011b\u017ek\u00fdm puzzlem.<\/p>\n\n\n\n

      (Dnes u\u017e to samoz\u0159ejm\u011b nen\u00ed takov\u00e9 terno, proto\u017ee naj\u00edt si odpov\u011b\u010f online je ot\u00e1zka p\u00e1r klik\u016f. Toto ale nen\u00ed argument, se kter\u00fdm by m\u011bl v\u00fdvoj\u00e1\u0159 po\u010d\u00edtat.)<\/p>\n\n\n\n

      Supraland byla ze za\u010d\u00e1tku explorativn\u00ed puzzle hra. Z\u00e1bavn\u00e1 a nerealisticky poskl\u00e1dan\u00e1 metroidvaniovka.<\/p>\n\n\n\n

      M\u00edsto t\u011b\u017e\u0161\u00ed explorace ale v\u00fdvoj\u00e1\u0159i zvolili za v\u00fdzvu t\u011b\u017e\u0161\u00ed puzzly.<\/p>\n\n\n\n

      Hru jsem odlo\u017eil v moment\u011b, kdy z bl\u00e1zniv\u00e9ho a chaotick\u00e9ho sv\u011bta p\u0159esedlala na obrovsk\u00e9 a steriln\u00ed m\u00edstnosti, line\u00e1rn\u011b poskl\u00e1dan\u00e9 za sebou.<\/p>\n\n\n\n

      <\/p>\n\n\n\n

      \"\"
      V\u00fdchod jednoho z t\u011bchto v\u011bt\u0161\u00edch puzzl\u016f. Na obr\u00e1zku vid\u00edte, jak prostor je najednou nabobtnal\u00fd a stroh\u00fd oproti p\u0159edchoz\u00ed estetice.<\/figcaption><\/figure>\n\n\n\n

      V\u00fdvoj\u00e1\u0159i \u0161patn\u011b odhadli, co byla jejich siln\u00e1 str\u00e1nka a n\u00e1sledovali progress, kter\u00fd se od t\u00e9 siln\u00e9 str\u00e1nky jen vzdaloval.
      Pokud byste cht\u011bli dobr\u00fd p\u0159\u00edklad hry, jej\u00ed\u017e j\u00e1dro a progress spo\u010d\u00edv\u00e1 v exploraci, mrkn\u011bte na Tunic.<\/p>\n","protected":false},"excerpt":{"rendered":"

      Pokud jste z podobn\u00e9ho t\u011bsta jako j\u00e1, v\u00e1\u0161 \u00fapln\u011b prvn\u00ed dojem ze hry nemohl b\u00fdt dobr\u00fd.Menu a UI vypadaj\u00ed jako sta\u017een\u00e9 z generick\u00e9ho \u201cMobile Casual UI Pack vol. 1\u201d co\u017e je vizu\u00e1l, kter\u00fd mimo na\u0161e \u0161matl\u00e1tka prost\u011b nevypad\u00e1 p\u0159ijateln\u011b. To, \u017ee v\u0161echny postavy pou\u017e\u00edvaj\u00ed ten stejn\u00fd model tak\u00e9 p\u0159id\u00e1 na lacinosti. V\u0161echny tyhle neduhy ale…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[3,8],"tags":[],"_links":{"self":[{"href":"https:\/\/emilgasparec.cz\/blog\/wp-json\/wp\/v2\/posts\/241"}],"collection":[{"href":"https:\/\/emilgasparec.cz\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/emilgasparec.cz\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/emilgasparec.cz\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/emilgasparec.cz\/blog\/wp-json\/wp\/v2\/comments?post=241"}],"version-history":[{"count":3,"href":"https:\/\/emilgasparec.cz\/blog\/wp-json\/wp\/v2\/posts\/241\/revisions"}],"predecessor-version":[{"id":288,"href":"https:\/\/emilgasparec.cz\/blog\/wp-json\/wp\/v2\/posts\/241\/revisions\/288"}],"wp:attachment":[{"href":"https:\/\/emilgasparec.cz\/blog\/wp-json\/wp\/v2\/media?parent=241"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/emilgasparec.cz\/blog\/wp-json\/wp\/v2\/categories?post=241"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/emilgasparec.cz\/blog\/wp-json\/wp\/v2\/tags?post=241"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}